

Digging the Archive: Socìetas Raffaello Sanzio & Scott Gibbons | Crescita VIII-The Cryonic Chant
Crescita VIII-The Cryonic Chants Objective songs and poems, taken from an impassive animal “How can we obtain a series of words from a...


...like a curtain which is simultaneously lifted both on the audience and the performance
"For me the audience is the most important dimension of the stage experience. A performance, a theatre or a dance production, or any...


I believe that Claudia was really possessed by the true archivist’s spirit
One of the main objectives of the ARCH work team concerns the documentation, classification and digitization of the archive of the...


The rhetoric of words versus the rhetoric of the body | Julius Caesar. Fragments by Romeo Castellucc
The celebrated Italian stage director Romeo Castellucci comes to Greece for the fourth time, within the framework of the Athens Festival...


Who will smash the golden calf? | Go down, Moses by Romeo Castellucci
The question arises, then, what does it mean “to see”? The theatre of Romeo Castellucci attempts to activate the ability of seeing,...


Objects of theasis, victims of our gaze | On the concept of the face regarding the Son of God by Rom
The drama of the actor unfolds in a bipolar plan: under the look of the spectators and of Christ as well. The actors are placed under our...


Raffaello Sanzio
Today, the 6th of April 2016, we celebrate the birthday of Raphael who was born 532 years ago in Urbino, Italy. The celebrated painter of...


Romeo Castellucci | Ethica: Natura e Origine della Mente
LIGHT: I am the light that comes and goes. You are all objects that can be replaced. You don't worth much. You don't last forever. TV...


Purgatory: A "trial"
How many times in our lives have we, willingly or unwillingly, witnessed a crime, powerless to intervene? Romeo Castellucci in Purgatory...