Light versus darkness: Chiara Guidi | The Land of the Earthworms
Similarly to Euripides' Alcestis, Chiara Guidi's The Land of the Earthworms revolves around the bipolar contrast of light versus...
Digging the Archive: Santa Sofia. Teatro Khmer
In Santa Sofia. Teatro Khmer (1986) the set is dominated by an enormous Byzantine icon of the Pantocrator Christ, staring with a piercing...
Digging the Archive: Socìetas Raffaello Sanzio | In praise of such ancient beauty
At the origins of this production lies the need for a fable which casts away the automatic nature of time, its style and its consumption,...
Digging the Archive: Socìetas Raffaello Sanzio & Scott Gibbons | Crescita VIII-The Cryonic Chant
Crescita VIII-The Cryonic Chants Objective songs and poems, taken from an impassive animal “How can we obtain a series of words from a...
"There, between the sound of the voice and the sound of the word I’ve discovered the theatre.&q
"I’m always researching theatre. I do it through music starting with the voice in tender sound. I’ve discovered that between the voice...
Chiara Guidi: "Children HAVE culture"
Chiara Guidi has a deep and profound connection with children. “Children HAVE culture, they are not just independent containers that we...
The Land of Earthworms: a tragedy for children
"Go under and then up above... below... above... upside down..." Read about Chiara Guidi's La terra dei lombrichi, a deeply touching...
